When - Past productions

Click on the links below to view our past productions:

Thin Toes

The Six Wives of Timothy Leary

Blue Funk

The Importance of Shoes

Remembering You like something I'd Forgotten

Taking the Blood of Butterflies

Valparaiso

Etta Jenks

English Journeys

The Smashed Blue Hills

Duck Hunting

CO-PRODUCTIONS:

Fanny and Faggot

Peeled Over

The B File

Ghost Tag / It's A Girl

Frontline

The Flats

Achidi J's Final Hours

Judith Bloom

'Julia Stubbs' intelligent production...Stevens has set herself up as a writer worth watching.'
musicOMH.com on Thin Toes

'...Philip de Gouveia's excellent new play...All in all, it's an insightful piece of writing, and, in Timothy Hughes' unfussy production, a gift to the actors, who are all excellent.'
Time Out on The Six Wives of Timothy Leary

'Director Elizabeth Newman offers a scary and contemporary slice of realism'
Camden New Journal on Blue Funk

'Timothy Hughes' smart production boasts four nice performances.'
Time Out on The Importance of Shoes

'This show really does tick all the boxes.'
Three Weeks on Peeled Over

'Faultlessly performed, this poignant piece looks at remembering and forgetting in different life stories. The seemingly disparate threads are cleverly woven together.'
Cue on Remembering You like something I'd Forgotten

'...a winner fringe production...with its all female cast and its overwhelming presence: it turns a simple story of identity into a deeply layered commentary of perception and reality'
The British Theatre Guide on The B File

'a darkly gripping achievement, probing the most horrifying extremes of human behaviour with compassion and a rigorous moral and intellectual curiosity'
The Times on Fanny and Faggot

' This single act play cleverly achieves the effect of absorbing us into a world in which we gain the full sense of its tortuous slowness and frustrations, but in which the writing surprises with imagery and insight beneath the rubble.'
Theatreworld Internet Magazine on Taking the Blood of Butterflies

'It would make a great ‘girls’ night out, although the boys in the audience were laughing just as hard'
MyLondonYourLondon.com on It's A Girl

'this British premiere of a 1999 play by American author Don DeLillo is worth beating a path to. Director Jack McNamara handles this theatrical coup with aplomb; the cast matches the brusque dialogue with a deadpan earnestness that’s at once breezily amusing and deeply unsettling.'
The Choice in The Daily Telegraph on Saturday on Valparaiso

'Superbly directed by Ché Walker...this is an exciting, darkly comic evening.'
What's On in London on Etta Jenks

'A strikingly effective portrait of confused, hapless youth'
The Times on The Flats

'Ché Walker, directing a persuasive cast, creates a dark and compelling onsatge world... The whole is arresting – and it promises that, as a playwright, Evans has plenty more to say.'
The Times on Achidi J's Final Hours

'Peter Elkins' elegantly written first play... attractive performances from Marcus Hamer and Natalie Dakin make this an engaging evening'
The Metro on Judith Bloom

'Frontline is a young company dedicated to emerging talent'
The Guardian on Frontline

'Britain dissected by Steve Waters. Nicely performed and bleakly atmospheric.'
The List Critics' Choice on English Journeys

'The actors move seamlessly across the set, their performances feeding off a script that is fast-moving and ambitious, touching on issues that demand thought long after the stage lights have faded.'
Camden New Journal on The Smashed Blue Hills

'Looking for certainties in Rhiannon Tise's intriguing play is like trying to grasp smoke. Although her story has an apparent outward simplicity, Tise seems to delight in wrong-footing the audience...naggingly frustrating, but also oddly hynoptic...The three sturdy performances in Timothy Hughes's quirky production hold the attention.'
Evening Standard on Solace

'Chekhov's fascinating, if flawed, early play performed on an open stage is refreshingly direct and uncluttered...Mark Gillis gives an intelligent, controlled performance as Ivanov...Julia Stubbs is an affecting Sara...Tor Clark is a strikingly strong-willed Sasha.'
The Stage on Sara

'We could be in Alan Bennett territory here, but for the milieu...The sensitive acting and production achieve a balance poised between hope and despair…Timothy Hughes’s controlled, unpatronising direction…Tucker observes mundane lives and uses a surprising poetry to reawaken them. Beneath a seemingly drab surface, he marries the beautiful and the grotesque, the sad and the comic.'
The Independent on Unlucky for Some

'Tise is clearly going to be a name to watch. The Silent Time not only catches the booze-and-fags lifestyle of urban twenty-somethings with Pinteresque economy but dramatises misogyny's hidden face with unusually deft strokes...Directed by Timothy Hughes with equal guile and flavour and performed by all concerned with quiet conviction, the London suburbs have once again thrown up a little gem.'
The Glasgow Herald on The Silent Time

'This is a a cheeky, subversive play...Director Timothy Hughes keeps everything snappy and does a superb job marshalling his cast of nine across the tiny Man in the Moon stage. Highly recommended.'
What’s On on Duck Hunting